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At this Geoffrey says something under his breath about Paul Rodney that he ought not to say, looking the while at Nicholas with a certain light in his blue eyes that means not only admiration but affection.,"Do you really?" asks Mona, earnestly.,Dorothy from her corner laughs gayly. "Poor old Noll," she says: "it was his unhappy childhood that blighted his later years and made him the melancholy object he is.","I am sure I could," says Nolly, bestowing upon her a grateful glance, after which he starts upon his errand with suspicious alacrity.,"I hardly think our dance is ended yet, Mrs. Rodney," says the Australian, defiantly, coming leisurely forward, his eyes bent somewhat insolently upon Geoffrey.,Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness.,At this Mona and Geoffrey break into silent laughter, being overcome by the insinuation about lying.,"No," he replied, "my heart was sad; I did not count the days. Since I left, the berries have grown and ripened.",Soon an old woman, bent with age and crippled, came from the door and smiled as she saw the two persons coming.,Mona blushes painfully.,The woman called again, "No, no; do not go on; come now and wrestle once with me.",The painters were told what to do long, long ago, "in about the second generation after the first people.".